HOSPITALITY DESIGN EXPO – Part I

HOSPITALITY DESIGN EXPO – Part I

By Annette Callari, ASID; CMG

I covered an exciting trade show earlier this month (back to Las Vegas again—oh darn). HD Expo focuses on the hospitality sector. Floor coverings are REALLY important to hospitality designers. It is the foundation for their entire design and a big investment for the end user. So with that in mind, I was on a hunt to identify emerging interior trends at this show that might inspire new product development ideas in floor coverings.

Interesting to see so many diverse interior goods trending in the same direction! With hundreds of manufacturers represented from around the world, this is their time to showcase new products and capture designers’ attention. That they did—to the extreme.

SHAPE AND FORM RULE

If there was an “aha” moment walking the tradeshow, this was it—product development designers are focused on interesting shapes and forms. I saw this in lighting design, textile design and even floor coverings (yes, I did say floor coverings). Here’s the scoop…

Covington Contract Fabrics

Covington Contract Fabrics | floortalk.wfca.orgIn one word—impressive. Covington played with color and texture to provide interesting backgrounds and then brilliantly used geometric shapes to add a contemporary story to each style. Beautifully conceived and leading the way for residential design to follow.

Sunbrella

Sunbrella coordinating lampshade covers | floortalk.wfca.orgThis company is taking geometric fabric patterns to the next level with a line of retro-inspired lampshade covers. Sunbrella coordinating fabric lampshade covers are a fashionable, functional solution for weatherproof outdoor products. Sunbrella is made from 100% solution-dyed acrylic fiber, which provides color brightness and “weatherability”. The covers even wash easily and resist soil and mildew.

Feiss Lighting

Feiss Lighting | floortalk.wfca.orgThere were so many lighting vendors showing at HD, but Feiss stood out to me. Their designs have a simplistic element, but play on shape and intricate details to create drama. These fixtures may have been created for the hospitality sector, but depending on scale, can be adapted to home. Stay tuned for my Part II blog, as we continue this trend journey, as seen through the eyes of floor covering manufacturers. The best is yet to come.

Design On the Road

By Annette M. Callari, Allied ASID; CMG

Design on the Road - floortalk.wfca.orgI am on the road again–this time traveling on the East Coast to Rochester, New York. A cousin of mine just opened a new upscale wine bar in Rochester and invited me to come see it while I was in town. Of course, I said yes, wanting to see how the interiors turned out. I was praying it would be a good design, because as a professional designer, I cannot lie. I might be courteously quiet, but I cannot lie about design. Here’s the good news. I didn’t have to be conspicuously quiet because it was very well done. Let me share some of the elements with you and tell you why they worked.

INTERIOR DESIGN SHOULD BE RESPECTFUL OF THE ARCHITECTURE OF THE BUILDING

This beautiful building was originally purposed as a bank, dating back to the early 1920’s. The exterior had beautiful Palladian (arched) windows, set into the original red-brick façade. Cousin Louie settled on turning the interior into an elegant Art Deco space. Art Deco was high-fashion for interiors of the 1920’s through the 1930’s, so a great choice!

RESEARCH THE ERA OF DESIGN YOU ARE STRIVING TO REPLICATE

If you can’t make the interior look authentic to the period of design you’ve chosen, hire a professional to help. Especially if you are investing heavily in transforming a space (whether residential or retail), authenticity is important. Art Deco was a glamorous design mode. Lavish fabrics, with elaborate trims were important. Our subject wine bar (called “Brass”) brought this element to life with floor to ceiling midnight-blue velvet draperies trimmed with custom fringe. The panels were tied back to give a cozy feel to the interior and let in lamplight from the East Avenue street lamps outside.

Also a trademark of the era, bold geometric patterns helped defined Art Deco. The broadloom carpet chosen for the space was gray, blue and black in a large grid pattern. It looked like carpet tiles, but I was assured it was commercial grade broadloom, specifically chosen for this design. Not every family member approved of the bold zigzag upholstery paired with black leather for the booth seating, but this was a “home run” choice. Again true to the Deco era, a bit of shock value was always a good thing. The colors reflected what was in the carpet, but on a much bolder scale. Nice!

LIGHTING NEEDS TO SUIT THE TASK

As you might guess, the lighting for a wine bar (craft beers and cocktails too of course) would be especially important. The lighting system was complex, adjustable by multiple switches. Several levels of lighting were all on dimmer switches to allow for mood lighting. Add to the ambient lighting this special touch: electric blue LED rope lighting highlighted the interior architecture. Picture each of the grand arched windows outlined with recessed blue lights. It draws you in and creates a luxurious blueaura at the same time. From the outside, you are drawn to the building as it appears to have an inviting glow. Color and lighting are powerful! Use it to your best advantage as you redesign your own setting. By the way, this lighting system was programmed to be multi-chromatic. Color can be changed to suit the occasion.

ACCESSORIES COUNT

More than I can say, accessories can transform a space. I already mentioned the eight high-arched windows in this space. EACH was complemented with a low table (sill height) with an art-deco shaded lamp on each table. The result was amazing. Homey, warm, yet elegant was the goal and it was accomplished. One signature of the Art Deco style was use of decorative mirrors. Needless to say, the classical style mahogany bar was bejeweled with beautiful etched and beveled mirrors the entire length of the bar. Reflecting the soft glow of the blue lights around the windows was an added advantage. A stunning touch: the entire ceiling was clad in beveled mirrored tiles.

HIGH TRAFFIC AREAS NEED SPECIAL ATTENTION

The carpeted area beneath the low tables and bench seating was perfect. Acoustics are especially important in a gathering place like Brass, and the carpet helps absorb sound. Especially if you have high ceilings (these were 20 foot high beveled-mirrored ceilings), sound will bounce and distract from easyconversation if you don’t take steps to neutralize it.

Travertine-look porcelain tiles were chosen to run the length of the bar from the front portal to the back exit. Spills are inevitable if serving food and drinks, so again, a good choice. With such a high-end ambience, you might ask why Louie didn’t use real travertine. It’s expensive, it’s very porous and will stain easily, and he needed something easily cleaned. Porcelain tile was the perfect choice.

EXTERIOR DESIGN EQUATES TO ‘CURB APPEAL’

Roped stanchions, a plush red carpet, lamplight shining out onto the street, all read, “you are welcome here”. Art Deco was synonymous with Hollywood glamour, and to complete the setting, these special touches were pure Hollywood. Louie thought he might keep the props only for the grand opening, but this designer highly recommended he make it a weekly occurrence on the weekends. Exciting interiors are announced by what your exterior says. Curb appeal is a reality not only for homes but businesses as well.

I think I have highlighted the major elements that offer some sound design “take-aways” for you. In this world where there is not enough attention paid to fine interior design, it’s refreshing to see an establishment proudly dressed in high fashion. Nothing left to say except “well done”!